Who Produces Miami Swimwear Shows?

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Miami Swim Week is one of the biggest fashion events in every calendar year. It provides a platform for buyers and sellers to interact. It also hosts fashion shows to showcase what is new in swimwear in order to influence global trends of the same.

Who Organizes Swimwear Shows?

IMG was the organizer of swimwear shows for a very long time. They worked hand in hand with LDJ, Funkshion, and Feinberg. IMG organized the Mercedes-Benz Fashion Week Swim. However, IMG pulled out a month to the show in 2015 and has not been back since.

Effects of IMG’s Pullout

IMG’s move left participants in something of a frenzy. Until that last minute pull out, IMG had reassured participants that everything was fine and that they would be there along the way, only to turn around and abandon the show. Some who were supposed to showcase their products were hesitant to continue with the show. In fact, some major brands such as ‘We Are Handsome’ opted to sit out of the runway shows. This is because different events were scheduled for the same time but in different locations and hotels.

This meant that the attendance for each show would be significantly low compared to other years. In previous years, the major runway shows were held at the Raleigh Hotel in Miami in either one of two tents or the penthouse to avoid overlapping of the events. ‘We Are Handsome’ did not consider the move so crucial that it would hurt their bottom line. After all, most people are there for the trade shows so they would still be able to accomplish a lot.

LDJ has also worked alongside IMG for the New York Fashion Week. The organizer, alongside Feinberg and Funkshion, felt the pinch of IMG leaving and at such a crucial hour. The organizers of this fashion shows did try their best to hold the weight, and the event went off, albeit different from previous editions.
The Return of IMG

IMG was expected to return in 2016. Many were quoted expressing their hope that IMG was going to come back and that they would do it bigger and better in a way that would knock your socks off. Contrary to these reports, IMG still sat out of Miami Swim Week in 2016. However, the show was better and not filled with tension like that of the previous year because LDJ, Feinberg, and Funkshion had already put the necessary measures in place. The runway shows were more coordinated, and well l thought out.

IMG is no longer the backbone of Miami Swim Week. No one knows whether the producer will ever come back to the swim week scene. The other organizers have been able to pull their weight for the past two years, and it is expected that they will keep doing as much in days to come. Participants are also getting accustomed to IMG’s distinct lack of presence. However, swim week is more about the trade shows, and these have been largely unaffected. The fashion shows, however, will need some fine tuning as years progress.

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New “See Now, Buy Now” Video / Stella McCartney + “Heels on Horseback”

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Shoppable Video Curated by Italian Equestrian / Fashion Blog Tacchi a Cavallo

See Now, Buy Now VideoWe’re very pleased to continue our series of “shoppable” videos from ShoppableVideo.eu with a new collection curated by animal-loving blog Tacchi a Cavallo (“Heels on Horseback”).

In the new video, blogger Martina shares her favorite Spring / Summer 2016 items from British designer and horse lover Stella McCartney.

The video was shot by equestrian and horse photographer Raphael Macek, and the two portraits of Martina were by Elena Datrino photographer and Facce da Blogger.

Enjoy, and support Stella McCartney’s singularly “cruely free” vision!

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Read more

tacchiacavallo.com

 
With love,

FWO

Predictions about Virtual Reality Use in Fashion Shows

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Predictions about Virtual Reality Use in Fashion Shows

Virtual reality has come a long way. It is no longer conceptual only. It has been introduced into the market and consumers are more than ready to invest in a headset if it promises to augment their view of reality. The uses of VR headsets are limitless. So far, the headsets are being used for gaming and watching movies using mobile phones and gaming systems. The use of these headsets has been growing into other areas as well. The fashion industry has not been left behind on this trend.

Different Options to Choose From

Different companies have been manufacturing VR headsets. These companies include Microsoft and Google, to mention but a few. You can now choose from: The Oculus Rift, HTC Vive, PlayStation VR Headset and the Microsoft HoloLens. These are all high quality and pioneer VR headsets.

One of the challenges facing Virtual Reality is motion sickness. While some companies claimed to have eliminated this, the truth is that the challenge will always be there for some people. The solution that most headsets have come up with is simple. They have reduced the lag that occurs between the movement in one’s head and actual movement as depicted through the headset.

VR in Fashion Shows

Fashion shows also plan on moving along with technology. The VR headsets should be put into use soon. Some designers and shows have already incorporated this technology. Some examples include:

· The use of VR in boutiques to see behind the scenes during runway shows
· The use of the headsets to screen makeup tutorials

These headsets will carry out different function sin the future including:

· Watching fashion shows on the headset from the comfort of your home as opposed to being there for the event and buying expensive tickets
· Creating virtual runways so that everyone with a headset is able to virtually attend the show
· Anticipating how some clothes will look on you as a model walks down the runway. This will also allow you to order the item during the show and have it shipped directly to you without having to go through retailers

The advantage of virtual reality in fashion is that it will enable anyone with a headset to have access to these often exclusive fashion shows.

Challenges of Using Headsets for Fashion

These future predictions face major challenges from Fashionistas. Some crave the atmosphere that is present during fashion shows. The assumption is that having a virtual show will rob them of this benefit. They will not be able to feed off the energy during these shows. Designers and fashion show organizers are therefore at an impasse: to get in line with technology or to maintain the traditional way of doing things that people prefer.

Virtual reality has many capabilities. The rest of the world is moving towards this technology, and the fashion industry needs to fall in line as well. It would be interesting to see just how far VR could take fashion shows.

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Santillo 1970 Interview: “Slow Tailoring” and the World’s Best (Handmade) Shirts


Santillo 1970: “Slow Tailoring” and the Modern Age

Consider it a backlash of sorts. Beneath the ultra-affordability of “fast fashion” (which we’re no strangers to ourselves), there’s been a renewed interest in “bespoke” and hand-crafted clothing. These aren’t clothes that you wear one season and forget: this is clothing meant to last many seasons — and meant to say something different about the wearer. Not that you’re “on trend.” But rather, that you are timeless.

When it comes to suits, certain names come to the forefront in terms of Italian craftsmanship: A. Caraceni, N. H. Sartoria, Rubinacci; among others.

But when it comes to shirts — painstakingly handmade, in the oldest traditional style — you may hear the brand “Santillo” bandied about by more than one aspiring or established style icon.

Santillo 1970 was founded in the Calabria region of Southern Italy in 1968, when Mrs. Angela Lemma opened a small workroom in Catanzaro, then passing the baton to her three children — Gennaro, Annaluce, and Saverio — who continue the family tradition today.

I had the great pleasure of meeting Gennaro and his brother Saverio at their showroom in Milano, where they very passionately spoke about their love for shirtmaking, the creation of their most recent collection “Patrimonio 1970,” their family, and their expectations for the future.

Santillo 1970

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Q: Hello Gennaro, thank you for joining us here at FWO.

Thank you Laura for your pleasant interview.

Q: This all began with your mother Angela, and your father Giovanni Santillo. Together they created the family business Santillo 1970. What was it like growing up in the household with such passion for shirtmaking?

My mother is a great woman, with a lot of passion for her job as well as a very ethical approach.

And she still has the same passion she had when she started out: as well as so much love for her sons and grandchildren. She is by far the best seamstress in the world; she can create a model fit for our clients just by looking, without any measurements or knowing their size. This due to her 50 years of experience creating handmade shirts.

She can create a model fit just by looking at a client.

I grew up in a tailor’s. My favorite games were to cut the material with huge scissors — many times by utilizing textiles that were ready to be used! My mother used to get angry at me [he laughs]. But I was too young to understand that. For me the tailor store was my playground, and my tools were my toys. What wonderful childhood memories!

My favorite games were to cut the material with huge scissors.

Q: What does Santillo 1970 represent to you in your heart?

Santillo is not only a trademark, but it’s my family name. It’s a huge responsibility to carry on this business with my brothers and especially a third generation tradition.

Q: Having a business organized by family members must have its ups and down. At the end of the day, how do you resolve those differences?

Santillo 1970 is a family run enterprise, but it follows trade, development rules, and regulations, just like a more structurally complex company. The members of the family add value to the company. Execution and ideas are our common goal.

My father Giovanni deals with the administrative sector, while Saverio takes care of cutting and preparing models; Annaluce of the preparation and the sewing, and I’m in charge of the commercial aspect. We work everyday, together, as a team, discussing every single decision.

We work everyday as a team, discussing every single decision.

Q: What is the force that has kept the family business together for almost 50 years?

The love toward this job and the absolute uniqueness of our shirts and blouses.

The absolute uniqueness of our shirts and blouses.

Q: You have two sons who have shown a great interest in the business at such a young age. Are you hoping your boys follow in your footsteps and carry on the family business?

Yes I have two sons, Mattia five years old and Luca, three-and-a-half years old, who have tailoring in their DNA.

It couldn’t have been otherwise. Mattia himself chooses the textiles for his fitted shirts, while Luca adores yellow and bases his choices on his favorite color: their minds are really made up.

I leave them free to do whatever is best for their personalities. Then if they decide one day to pursue this career, that would make me very happy. But first they need to study and acquire some experience.

Q: What is the process in shirtmaking: from the beginning of the creation, clip and customization, to the most popular collar style and color?

We begin with cutting the shirt once, both for bespoke and RTW. Every single part of it is handmade: collar, cuffs, etc.

Afterward we start working on the ironing board, sewing, flat fell seam, buttonhole, and finally the ironing and folding.

Dean Denim” and “Connery” in white are our bestsellers.

Every single part of it is handmade.

Q: This year you launched the “Patrimonio 1970” collection. Please tell us the inspiration and creation behind of one of my favorite Santillo collections?

Patrimonio represents love for the land of our roots, Calabria. The results of this connection to our work is seen through the use of an ancient technique dating back to the Magna Graecia [8th Century B.C.] era: such as using old looms and the crochet embroidery.

We use a technique dating back to the Magna Graecia era.

Q: Honestly I think all of your shirts are my favorite; but we all have our favorite favorite, which for me are “Dean Denim,” the luxury handmade white shirt, the “Sea Island Cotton Shirt” and the “Positano Vintage” … to name a few. Customers are able to order directly from the website from bespoke suits, shirts and accessories. What is the ordering process for a customer who cannot come directly to your showroom in Milan?

Online our clients — in any part of the world — can purchase our RTW models designed with the same particularities of bespoke.

Our clients — in any part of the world — can purchase our RTW models.

For this reason we have created a new word, “slow tailoring.” Bespoke means that both the the customer and the tailor are in the same place.

We are very interested in the USA market; in fact we have lot of U.S. clients who shop online, especially from New York City. We are planning to be more present in the USA market by opening a store.

It’s a combination of resources: philosophy, details, the fit and fine textiles. Our vision concerning the product and the classic idea of elegance.

We have created a new word, “slow tailoring.”

Q: Will you be launching a women’s collection in the near future?

Yes! We will create a women’s RTW capsule collection inspired by the fashion icons Audrey Hepburn and Jaqueline Kennedy.

We’re creating a women’s capsule collection inspired by Audrey Hepburn and Jaqueline Kennedy.

Q: What sets Santillo 1970 apart from other shirtmakers?

The passion and background, in addition to perfection. Our creations are the result of research of old textiles and models updated to a man’s need for practicality and versatility.

Q: Where do you see Santillo 1970 in the future?

 
To have our creations in the world’s best department stores.

Thank you Laura for the wonderful interview!

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Learn more

santillo1970.com

 
With love,

FWO

Razor’s Edge: Karigam Runway, Spring ’16 Show

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Karigam New York Fashion Week Spring ’16

lela-rose-main2-nyfwI recently had a speaking engagement at the Gregory Hotel in affiliation with Caravan Stylist Studio to discuss the trends happening on the fashion week runway, and the standout moments of NYFW FW16 (which we’re now referring to as “Spring ’16”).

The first question from the crowd was: “What designer do you feel was a standout this season?” The audience looked a bit surprised when — in lieu of the de rigueur list of mega-name, celebrity-affiliated designers (i.e., the same names that seem to fill every NYFW recap) — I unhesitatingly said, “Karigam!”

 
The Collection

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I gave everyone the correct spelling of the brand and asked the audience to look up designer Karina Gamez‘s pieces. It was clear which audience members did, because their heads started nodding in agreement.

Audience members’ heads starting nodding in agreement.

At first, the Karigam show seemed like any other at Skylight Clarkson. The runway was a square, where no onlooker had a bad angle. But as the first piece appeared on the runway, I knew that I was witnessing a special collection. It had the perfect balance of cohesion and edge: a collection for the modern woman who wants to stand out.

Gamez creates razor-sharp silhouettes with a skillful mix of fabrics — from furs and leather to cotton and everything in-between — while exploring a wide palette of colors from sharkskin grays to hard blacks, and even skillfully riffing on dark peach-colored fur.

The cuts, pairings, and layering made it clear that we can no longer think of Karina Gamez as a designer on the rise: she is here.

Karina Gamez is no longer a designer on the rise: she is here.

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Learn more

Karigam.com

 
With love,

FWO

Code Red: The Best Coats at Paris Fashion Week

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Code Red: The Best Coats at Paris Fashion Week

by Claire Stemen

santillo-mainMaybe I have a lot in common with your average bull, but my eyes caught a lot of red at Paris Fashion Week.

A fantastic choice of color for a coat, not only for its commanding presence, but also for its longevity. I don’t know of a time where the red coat was ever “out.” While the a classic shape for the striking outerwear is an economically smart decision, should you feel the need to be extra eye-catching, this season’s take on the classic hue can inspire:

Andrew Gn

Andrew Gn

Regis Colin Berthelier / NOWFASHION

Not only is this coat the perfect pair to my earlier “running of the bulls” metaphor with its matador-esqe detail, it builds onto a classic shape. Not necessarily the most daring option out there, the detail is what distinguishes it — piping, double-breasted buttons, and the fur collar for instance — and elevates your winter wear from the thousands of other black, beige, and brown coats on the street.

 
Balenciaga

Balenciaga

Guillaume Roujas / NOW FASHION

Somebody saw “Hotline Bling.” I have nothing against the classic puffy coat; in fact, I think it’s the most reasonable option, especially with biting wind and low temperatures. It doesn’t have to be a lazy piece reminiscent of eighties and nineties skiwear, as the styling here proves. Though, tossing it off of one’s shoulders requires a warm sweater, lest the whole raison d’être of such a garment be disregarded.

 
Saint-Laurent

Saint Laurent

Guillaume Roujas / NOWFASHION

For those who dare to make unconventional style choices, this Saint-Laurent coat is here to jumpstart your creative juices. Reminiscent of a fluffy heart, the raised shoulders and fur material are sure to keep cruel winter winds far from your vitals. That, and you’d certainly stand out in a crowd. This is the running vest for fashionistas; you can bet drivers and bikes will see you. Safety first.

 
Barbara Bui

Barbara Bui

Guillaume Roujas / NOWFASHION

Dogtooth is a classic pattern, especially for coats. It’s safe, almost neutral in black and white, and usually smaller than the pattern on this Bui coat. Which is precisely what makes this one so appealing; it’s a fun play on a classic with the added bonus of warmth via the woolen lining and its material. And for those who enjoy mixing patterns; its Scottish and nearly punkish vibes are prime ingredients for an interesting fusion.

 
Wanda Nylon

Wanda Nylon

Gio Staiano / NOWFASHION

This one’s a bit of a wildcard, seeing as it’s a raincoat. Not every cold day is snowy or mere wind, but occasionally rainy. Rather than looking like a drowned rat in one’s trusty, but likely less stylish, raincoat, this option is a total win for when the sky is dumping buckets of water on you. And, if the wet-hair look remains, that’s a double win, should you forget your umbrella.

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With love,

FWO

Super Review: Sicky Sunglasses: Insane in the Membrane!

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Throwing Shade: Me and Gigi Hadid Go “Matchy Matchy” … Not Really

sicky-hadidster-mainMy sunglasses always seem to come to tragic ends. My Persol 714 “Steve McQueen” series sunglasses? Unceremoniously sat on. My Dita Classe 19009d? Hung on the outside of a carry tote (dumb, I know) and left behind at In-N-Out Burger.

Making matters worse is how difficult it is for me to find sunglasses I like in the first place. Everything I wear inevitably seems to accentuate something I don’t like.

54mm-size frames look gigantic on me, making me look like Trevor Horn from The Buggles, or maybe Jeff Goldblum when he becomes The Fly. “Tiny” 47mm-size frames (like my Retrosuperfuture acetate shades) make me look like something horrible happened to John Lennon; although — at 49mm — my Saint Laurent translucent frames look pretty okay.

Long, tragic story short: I’m insanely picky, and probably just insane, when it comes to finding sunglasses I like.

Some make me look like something horrible happened to John Lennon.

Enter Sicky sunglasses, my latest eyewear acquisition.

Insane in the membrane. Insane in the brain!
Insane in the membrane. (Insane in the brain!)

I admit, since I’ve been in fashion, I’ve developed a weakness for eyewear from Japan and Italy. Although Italy still reigns supreme in the realm of handmade ready-to-wear, both Japan and Italy are renowned for artisanal eyewear, combining cutting-edge optics with painstaking craftsmanship etc.

I’ve developed a weakness for eyewear from Japan and Italy.

Mainly — after decades of being dirt poor, and going from one pair of $10 mall knockoffs to another, which tend to “spontaneously deconstruct” — my heart beats fast for anything that feels well-made. (See my entry on shoes, and prepare to shriek.)

Tangent alert: I spent the day off at Barneys yesterday, and couldn’t help but feel cheated that these Louboutin Spiked Dandelion Venetian Loafers shout “look at me! I’m fashionable!” … whereas my twice-as-expensive A1923 cordovan ankle boots go mainly unnoticed.

Which is more expensive? I’m crying as I write this.

louboutin-shoes-spiked
$1,395 – Fashion forward!

Which is more expensive? I'm crying as I write this. $2,200 – Lives on a railroad!

My point (I guess), is how things feel is as important to me as how they look, and maybe moreso. (Although it does help if they look great, too.)

So back to my latest acquisitions, just in time for summer: Sicky CS S10 in matte black (also available in ivory), and the Sicky S1 in coffee gloss.

You may notice that my new “bff” — in terms of two completely unrelated people who now own the same brand of sunglasses, as might happen with Nelson Mandela and Kid Rock, maybe — Gigi Hadid is also a fan of the brand, wearing a number of Sicky models including the aforementioned CS S10s and the Sicky S14 silver mirrored.

Gigi Hadid is also a fan of the brand.

 
The Hadidster Rocks Sicky

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I’m loving my Sickys. First of all, they indeed look sick. (In the “hip” sense — you know, “dope” — not like when I drive through Burger King and get the “jalapeño chicken fries” and regret it for the rest of the day.)

The CS S10s, handmade in Japan, feature polarized lenses, which is one of my all-time favorite sunglass features when I can get them. My cellphone screen looks green; the LED clock on my car dash flickers spookily; and there isn’t a glare as far as the eye can see. Since I don’t drink or take drugs, polarized lenses are about the closest I get to feeling high. (And that’s a pretty anemic rush, I do realize.)

The S1s, handcrafted in Italy, are framed by some really thick Italian acetate, which is great to hold. I love thick acetate because it’s sort of like wearing a frame made out of non-sticky Jolly Ranchers, creating that weird urge I sometimes get to chew things that feel really great to the touch, like my Guidi-leather M.A+ origami wallet. (TMI?)

 
Sick Looks

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Mr. Sicky Founder John Hildebrand
Mr. Sicky Founder John Hildebrand

The brand is the brainchild of John Hildebrand, whose website says: “Our story continues with every individual who joins the SICKY movement, eager to see the world through a different lens. SICKY’s has become a movement lead by tastemakers in art, music and popular culture.”

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Learn more

SickysWorld.com

 
With love,

FWO

sicky-red

PFW Trends That Made Our Hearts Beat Faster

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Things We Loved at Paris Fashion Week

fashAs the glitterati rest up their traveled feet, and the fashion week dust settles, it’s time to regroup and what really got our hearts a-flutter this season.

The best part of the job, (besides seeing who is on the frow and who isn’t) is rounding up and cherry picking those niche-trend patterns spotted at the shows, which will eventually find their way into people’s wardrobes. Ta-da! That’s how it all works folks! In Paris, aside from the chic and minimalistic women (oh, how we want to be you) there were a number of trends that made our eyes dance.

(Photos: Valentino, Vuitton, Miu Miu: NOWFASHION / Paul & Joe, Chanel: Press Agents)

 
My PFW Notables

Jewel-Toned Velvet Valentino

Valentino, Fashion Show, Ready To Wear Collection Fall Winter 2016 in Paris

Valentino, Fashion Show, Ready To Wear Collection Fall Winter 2016 in Paris

(Photos: Guillaume Roujas)

 
Black-Out At Louis Vuitton

Louis Vuitton, Fashion Show, Ready To Wear Collection Fall Winter 2016 in Paris

Louis Vuitton, Fashion Show, Ready To Wear Collection Fall Winter 2016 in Paris

(Photos: Guillaume Roujas)

 
50 Shades Of Red At Paul & Joe

Paul & Joe, pixelformula, womenswear, winter 2016 - 2017, Paris

Paul & Joe, pixelformula, womenswear, winter 2016 - 2017, Paris

(Photos: Valerio Mezzanotti)

 
Denim Remixed At Chanel

56dec37124f1b1457439601_w760_h1142

56dec35bc9d6c1457439579_w760_h1142

(Photos: Press office)

 
Grandma Dressing At Miu Miu

Miu Miu Fashion Show, Ready to Wear Fall Winter 2016 Paris

Miu Miu Fashion Show, Ready to Wear Fall Winter 2016 Paris

(Photos: Press office)

More to come!

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With love,

FWO

Véronique Branquinho Spring ’16 Show: Royalty, Witches, and Hippies

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Véronique Branquinho Spring ’16 Show

LOUISVUITTONFW16-JuergenTeller-mainA single chime rings out, startling me, as the first model emerges from behind the curtain at Véronique Branquinho’s Spring ’16 show. Nick Cave and the Bad Seeds’ “Red Right Hand” plays, as Cave’s sinister voice slithers through the speakers. There couldn’t have been a more fitting choice for a collection of all black ensembles, hoods, and high collars. I felt like Jane Eyre discovering Mr. Rochester’s crazed wife in the attic.

Elizabethan collars, capes, and hoods swept down the runway with the models, the floor covered in a slight dust that leapt up when disturbed. Branquinho’s aesthetic hung in the air like a misty October night. I was fairly certain that witches and the lurking madwoman in literary tradition had a say in the formation of the collection.

I felt like Jane Eyre discovering Mr. Rochester’s crazed wife in the attic.

Branquinho’s penchant for buttoned-up styles precedes her, and the reinvention of the often-ostentatious Elizabethan collar to a smaller, more chic alternative mixed with austere Puritan maxi dresses is consistent with that partiality.

 
From the Collection

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Sequins — everywhere on the runway this Paris Fashion Week season — added dimension to black maxis, shape given to them as light hit the movement of the garment. A general lacing up of dresses, blouses, and even of cravats lent the collection a stuffy aura, were it not for the more radical cheetah prints and transparent gowns.

It’s as if Branquinho is seeking to enable the women history forgot, as the martyrs of an unempowered time. The Puritan-esque hoods and all black ensembles are reminiscent of Salem, the collars of the Elizabethan royal courts, as a hint of ’70s glamour trickles in with high boots, long coats, and blazers.

It’s as if Branquinho is seeking to enable the women history forgot.

She doesn’t let us languish too long in the heart-tugging tragedy of past, misunderstood characters, topping such looks with leather jackets and blazers.

Véronique Branquinho is redeeming those battered women of the past; presenting them as the fierce women they were, ending on a punctuation of looks that remind us that we’re not so different from them after all.

Branquinho is redeeming those battered women of the past.

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With love,

FWO

Juergen Teller Keeps Louis Vuitton Up-to-Date

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LV Defies the Predictable with FW16 Lookbook

LOUISVUITTONFW16-JuergenTeller-main“What becomes stylistic heritage?” asks the Louis Vuitton brand (by way of Nicolas Ghesquière) in the introduction to “Through The Roof,” the new lookbook for LV’s FW16 Collection. It’s a poignant question indeed, for a 162-year-old maison that must continue to be modern: and continue to be more than its endless line of monogrammed handbags that — like the Burberry scarf — have become so ubiquitous as to risk becoming generic.

If anyone can bring a brand up-to-date in the realm of presentation, that man must be photographer Juergen Teller. His works sit at the furthest end from the Photoshopped fantasies of the mainstream, where everyone is forever 19 years old, 90 lbs., wrinkles and eye bags don’t exist, and you should live in fear of ever being anything else.

His works sit at the furthest end from the Photoshopped fantasies of the mainstream.

(Which means, essentially, we are all doomed to live in fear.)

Although his models for LV are indeed young, the shoot — like everything Juergen does — resists modern conceptions of perfection, suggesting that — just perhaps — we are all perfect and sacred already.

everything Juergen does suggests we are all perfect and sacred already.

Enjoy the new shoot.

(Models were Sarah Dahl, Jean Campbell, Sora Choi, Shelby Hayes, Luisana Gonzalez, Natalie Westling, Alexandra Micu, and Erika Linder.)

 
LV FW16 Lookbook: “Through The Roof” by Juergen Teller

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With love,

FWO