#VogueVIP Party with Matthew Williamson for CB2

(Story with Lisa Panke)

Matthew Williamson: True Colors

matthew-williamson-cb2What does Vogue do, when it wants to celebrate iconic British designer Matthew Williamson‘s new collection at CB2? Throw a party, of course.

The event was held at the CB2 Soho store in conjunction with Vogue VIP. (And if you haven’t gotten your new Clare V. clutch, what are you waiting for? (Our publisher is calling it his new “navy suede hunting pouch” to macho it up, although the only thing he hunts for is parking spaces in L.A.: insert rimshot.)

You know Williamson as (among other things), the former creative director for Emilio Pucci … or possibly via his collaboration with Prince for the “Chelsea Rogers” video.

He’s a designer of phantasmagoric color combinations that live somewhere between Fauvism and 1969 Joni Mitchell.

But you may know him better as a designer of phantasmagoric color combinations that live somewhere between Fauvism and what one might expect to see in Joni Mitchell‘s apartment circa 1969. Or — as we got to see at the CB2 opening — simply a gentle person, alive with brilliant ideas.

SoHo Fun

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Attendees sipped lychee martinis, champagne, and nibbled on little bites like butternut squash cucumbers and curry chicken tacos. On-the-go screen-printing was also available for guests, so they could take home a canvas tote customized with the British flag in Matthew’s signature prints.

FWO editors Emily Burnette and Lisa Panke
FWO editors Emily Burnette and Lisa Panke

There was also a cutting-edge photo booth by TheBosco.com.

Williamson created this line of furniture interiors and home accessories for CB2, which can be shopped here. The collection includes flamingo table toppers, gold accents, and rich turquoises and pinks. If interiors aren’t your thing, Williamson also designs ready-to-wear clothing and stationary.

Williamson created this line of furniture interiors and home accessories for CB2.

When I spoke to Williamson, he was polished, polite, and so charming.

“Do you own any of the CB2 pieces,” I asked? “Of course!” he said, laughing. “I have the Atol Bamboo Table, and I didn’t realize at first the legs screwed off. So now, when I’m between Spain and my newly purchased home in London, I take it with me!”

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Learn More

CB2.com
MatthewWilliamson.com
Vogue VIP

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With love,

FWO

High Fashion: The Pan Am Experience Recreates Glamour of Air Travel

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Flying High: Interview with Anthony Toth

pan-am-experience-luxuryAnyone who doubts that airline travel is inherently glamorous should look no further than Karl Lagerfeld‘s Spring 2016 Paris Fashion Week airport show for Chanel. What’s not sexy about traveling by airplane?

Well, as it turns out: lots of things. Legroom is cramped (for most of us, anyway), food is less-than-exciting (although your mileage may vary), and it can be a struggle to look terrific while staying comfortable. (For some tips on how to do it right, look no further than the Olsen Twins, or Karlie Kloss.)

If we need any reminder that the Golden Age of Airline Travel may have waved goodbye from the tarmac some time ago, look no further than the Pan Am Experience.

The Pan Am Experience — a dining adventure that recreates the luxury airline travel of yesteryear — is the brainchild of film & television aviation prop master Anthony Toth, who literally held the first Pan Am Experience in his garage. Now the experience is run out of Air Hollywood.

Being both travel fans and mid-century style fans, we couldn’t resist finding out more.

 
Top Flight
 
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Q: The Pan Am Experience is a unique dining experience, to say the least. How did you develop your passion — one might even say “obsession” — for vintage Pan Am?

When I was five years old, my parents took me on my first airplane trip across the Atlantic on a Pan Am 747. The experience had a significant impact on my life.

Imagine walking on board the airplane back then. First, aircraft with a winding staircase — the first double-decker — and two beautiful stewardesses in brand new Pan Am uniforms. I instantly became fascinated with all things aviation.

Imagine walking on board the airplane back then.

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I started collecting things: small things back then. Timetables, models, etc. But as I grew older, my fondness for airlines and aviation in general became significant. I bought my first set of airline seats at age 16, and the Pan Am 747 began to take shape. Every year I would add aircraft pieces (fuselage, overhead bins, seats), eventually a winding staircase, etc. I started restoring the interior of the aircraft in the late ’90s with the ultimate goal of having the exact replica interior of the famous brand.

I bought my first set of airline seats at age 16.

Along the way I amassed a sizable collection of china, glassware, linen, uniforms … just about anything with a Pan Am logo on it.

Q: The post-mid century era brings so many things to mind: from the first digital watches to the golden age of James Bond. There’s something so playful and innocent about that time. What draws you to the era?

It was during this period in America when people dressed up to fly. Once on board, the stewardess added to the excitement of flight. They wore uniforms created by designers; they were young and sexy. Airlines went out of their way to pamper, spoil, and lure passengers. Flying back then was as much about the ride as it was about the destination.

They wore uniforms created by designers.

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Q: How was flight different then, versus today?

 
When I think back to the late ’60s and early ’70s, the one thing that stands out in my mind is the attention to brand. Back then, airlines had to compete on brand. We were a regulated airline industry. Airfares and routes were controlled by the DOT, and the way an airline competed was on brand. And that created amazing cabin interiors, fantastic accommodations on board, and really sexy stewardesses. Even the food was amazing.

Back then, airlines had to compete on brand.

When I walked on board an airplane in the ’70s, you new EXACTLY what airline you were on. No two airlines looked alike, and for me the journey on the airplane was really more important than the destination. I found airline branding so memorable that it kind of shaped my life and inspired me to collect the way I have all my life.

Now today, we have something that did not exist back then. Affordability and choice. Air travel was very expensive back then, and the average person couldn’t afford to fly.

The average person couldn’t afford to fly.

And from a choice standpoint, there were, say, one or two flights daily between Los Angeles and New York. Today, there are literally 100 ways to get there.

So there are great things about air travel today that we sometimes take for granted.

Q: The Pan Am Experience uses real vintage china, linens, and stemware from Pan Am. Tracking all that down, in itself, seems like quite an amazing feat! How was that even possible?

So I am probably one of the world’s most serious aviation collectors.

While I don’t know for sure, I’ve never actually met anyone who has more aviation memorabilia than me. Oftentimes, in my line of work, I meet people who claim to have larger collections, but usually after they visit our studio at Air Hollywood, they realize the significant quantity of aviation memorabilia I have amassed.

When you’re passionate about something, you find ways to acquire things. And that’s exactly what I have done for many years. In addition to the Pan Am memorabilia, we have a considerable amount of other aviation memorabilia at Air Hollywood, and we can recreate almost any airline from the past. We have done multiple projects that included vintage aviation scenes for many movies and television shows.

With Air Hollywood, we can recreate almost any airline from the past.

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Q: I once tracked down a copy of The Playboy Cookbook so my girlfriend and I could explore some “vintage” recipes. American cuisine from the era is definitely different compared to what we have in restaurants today. What kind of menu can patrons expect at the Pan Am experience?

We work very closely with our caterer to recreate a very typical Pan Am menu from an international flight.

We are using an airline caterer who has experience in catering an aircraft. And just like any other airline, they drive their food truck up to our Pan Am 747 and load our galleys with real Pan Am carts.

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On a typical Pan Am Experience flight, our passengers will experience a gourmet meal prepared and served exactly how Pan Am would have in the past. For example, on the upper deck, our menu starts with caviar service and all the accompaniments.

Our upper-deck menu starts with caviar service.

This is followed by choice of two appetizers, (shrimp cocktail or tomato mozzarella with a pesto glaze). Our main course features entrées such as chateaubriand carved table side, or French-cut chicken with peppercorn sauce.

Of course, cheese and fruit with port wine immediately follows, and finally a choice of some amazing desserts flows through the cabin, followed by tea and coffee. Along the meal journey, we will entertain our passengers with a one-of-a-kind fashion show, as each of our stewardesses will model their favorite Pan Am uniform from the 1960s … all the way through the last issued uniform in 1991.

And there’s a one-of-a-kind fashion show.

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Learn More

panamexperience.com

With love,

FWO

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YEROC SS17 Sunglasses HANGAR Collection Launch

Interview with Corey Woods

yeroc-sunglassesIt all started in February; I was invited by close colleague and celebrity stylist Jen Abraham to a Style Fashion Week show by a designer named Corey Woods. Always a steadfast supporter of anything Jen is involved in, I accepted the invitation and made plans to be there. The night of the show, I had a full schedule and didn’t think I could make it in time. Fortunately I did, and that’s when YEROC sunglasses first entered my fashion vision.

The show was well-curated, with all-white garments to allow for the construction, color palette, and overall look of the sunglasses to be appreciated. I saw some that immediately caught my eye and made a note to ask Jen to introduce me to Corey. She did — although it was a brief meeting due to the hectic montage that is backstage. Jen did manage to give me two pairs to see if they worked.

Chris Collie wears Yeroc shades
Chris Collie wears Yeroc shades

A few days pass, and it’s a cold but sunny day in New York, so I decided to wear one pair of the shades — the Ice Colter editions. I turned on my camera to snap a shameless selfie to see how they looked, which I then decided to post on Instagram. Immediately a stream of likes came in, then direct messages asking where could they buy them, followed by more comments. Needless to say, those sunglasses became my new favorites. I loved the fact the frames were outlined in clear see-through sheer white, and how the shape of the lenses fit the frame of my face.

Immediately a stream of Instagram “likes” came in.

Fast forward to present day, when I was invited to the SS17 launch of his new HANGAR collection, in a private location in Midtown. Arriving in time to see the models walking off and Corey taking his walk down the runway, it was time to see the sunglasses up-close backstage.

The Presentation
 
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The HANGAR collection impressed me with the unique framework of the sunglasses coupled with the detailed intricacy of the lenses’ shapes and colors. I kept my eye on three particular pairs of shades that I felt represented the excitement of this new collection. Having been seen on countless celebrities such as Beyoncé, Rihanna, Kim Kardashian, Pitbull — and the list goes on — I was honored when he told me, “Chris, take whichever ones you want.”

At that moment, it made me even happier for his success. Even though he’s been on A-listers, he hasn’t forgotten the true fans of his sunglasses. The launch event was filled with a “who’s who” of different industries, such as Fatima Ptacek who is the voice of the world-known Dora the Explorer. The diverse attendees only further lent truth to the notion that these glasses were resonating with people from all walks of life.

The next day, I chose which of the three new pairs of shades I wanted to wear for a bright sunny summer day — like a child who can’t wait to take his new toy outside. The reactions continued to increase.

During Corey Wood’s SS17 show, I had a chance to catch up with him and ask a few questions to dig deeper into the creative process: how the collection came to be, and his take on fashion overall.

Q: How does this collection differ from your previous ones?

corey-woods-yeroc-1 Of all the multimodal, multifarious forms of my previous‎ collections, my current HANGAR collection is by far the most delicate. There is a metaphorical message braided in each one of my collections. In the instance of this one, levitation and elevation are explored. Therefore, I infused those elements into the physical construction of the eyewear. The HANGAR collection is comprised of hanger-like wiring balanced with brilliant metalloid foils.

In HANGAR, levitation and elevation are explored.

The physical hanger is a utilitarian staple in our wardrobes; it literally holds organizes and preserves our fabric adornments. ‎Hangars harbor airplanes and private jets. Since I am uplifting and elevating people to a whole new aerial-like dimension of eyewear — a new vision; a greater overarching sight, while combining those airy physical elements in conjunction with the lightweight thinness of an actual hanger — I have aptly named it the HANGAR collection.

Q: What do you think resonates with celebrities to make them gravitate toward your brand?

Fashion has always been a visual demonstration of your imagination.

Hence, my aphorism, “Standing out is a natural consequence of being an icon.” To be iconic is to be the human embodiment of a lightning bolt; a powerful physical exclamation point that makes an unforgettable and impressionable statement. My celebrity clientele express to me in a plethora of dialects one irrevocable point: “I can be fashion-forward in your eyewear.” I am forever grateful to have so many of them in my life at the forefront, championing my brand.

I am forever grateful for my celebrity clientele.

Q: How do you see the accessories market evolving in the next five years?

The evolution of the accessories market will rival clothing in the forthcoming five years. I predict seasons of pieces so histrionic they will overpower the ensemble itself, leaving you to ponder the irreversibility of the accessory.

Making the Seam
 
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Q: What is the “big picture” for Corey Woods?

The creation of YEROC transcends the physical matter of the actual eyewear; it is a physical, static symbol of my vision for an enhanced, sharper future. That vision will continue to propel me to design pieces that will not dissolve in the trends of time, but sustain and withstand through actual time. The big picture of Corey Woods is a limitless puzzle; in which I create worlds within worlds, piece by piece.

Q: How did you decide fashion was your path while holding two masters in other fields?

I was born a creator.

Ever since I could think, I have been constructing things in my mind with the thought of physically executing these things. The pursuit and attainment of higher education has quenched my aridity for knowledge. I am an eclectic individual, whose mind is equipped with a multivariate palette. Art has always been a cornerstone of my life, from the onset as a very young child. I am still that boy with the deluxe box of Crayola colored pencils, except now my hand is much more deft, and dexterously skilled.

Q: Do you feel you are reaching your immediate goals within fashion?

Goals are never-ending. The majestic and encrusted jeweled road to fashion is an endless path. I am fortunate to be traversing this tantalizing highway of heightened high-fashion and visualized physical imagery in a world that I am proud to call my own; a world that I can now view through the lens of my YEROC glass.

@NYCSPOTLIGHT-128

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Learn more

shop.yerise.com

 

With love,

FWO

NYFW Men’s Blowout: Wilhelmina Wolfpack and NY Cult

Wolves in Non-Cheap Clothing*

 Photos by Mireya Acierto/Getty Images
Photos by Mireya Acierto/Getty Images
It might have been a scene from Party Monster, except everyone was even more hip — and breathtakingly beautiful — and the vibe was decidedly more positive and forward-thinking. Either way, last night Wilhelmina Wolfpack closed down Men’s Fashion Week with the ultimate club banger at NY hot spot Flash Factory.

(*We don’t actually know how much people’s clothes cost, of course, because everyone looked increds. But let’s face it: that headline is classic! Yes? No? Okay.)

From early on in the night vibes were good, the drinks were flowing, and the party was rocking. At one point the line to get in wrapped around 28th Street block. Everyone from Theophilus London, Dev Hynes, Kelly Osbourne, RJ King, Machine Gun Kelly, Vashtie, Taryn Manning, Nikki Takesh, Hanna Sider, and more came out to party with the Wolfpack and NY Cult.

At one point the line to get in wrapped around 28th Street block.

MAZURBATE kicked off the night followed by NY Theo’s energetic and of-the-moment performance, complete with breakdancers that got the whole club jumping. Wilhelmina’s own, Machine Gun Kelly, took to the stage and delivered an epic and explosive performance boasting his pride for “THE LAND.” Vashtie, Nianga, Jaziah and Mike Nouveau closed out the night on the decks.

Fun In the Wolves’ Lair
 
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If there was one way to close out a week of feel-good fashion vibes, this was definitely IT.

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Love always, everywhere,

FWO

Haute Living Paris: Four Seasons George V Interview

Haute Couture + Haute Hotels = Haute Living

Paris’ haute couture shows, at root, are an exploration of our ultimate ideas of sophistication. Mastery of form and color, yes, but also playfulness and just a little bit of imagination run amok.

In wanting to explore the more extreme side of things — where aesthetics begin to border on the obsessive — we couldn’t resist looking at some of the top places a fashionista or bon vivant might stay while visiting the salons and ateliers of Paris’ most outrageously imaginative shows.

Here at FWO, we’re all about moving through our “bucket lists.” (As much as we hate that term.) To that end, we’ve fearfully parachuted out of airplanes, spent way too much money on trips to destinations like Bora Bora, and generally bought way too many pairs of ridiculously expensive shoes.

Which brings us to the Four Seasons.

It’s hard not to read biographies of people like Mick Jagger, Audrey Hepburn, or Bob Dylan without bumping inevitably into a mention of the Four Seasons Hotel George V Paris. Which is probably how the property — along with the newly renovated Ritz — ended up on FWO’s collective bucket list.

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While researching this story, we also decided to pick some three-Michelin-star restaurants in Paris. Alongside Alain Ducasse, Restaurant Guy Savoy, and Alleno Paris, we were pleased to add Le Cinq, which as of this writing is the #8 best ranked restaurant on TripAdvisor … making it the highest ranked three-Michelin-star restaurant on TripAdvisor.

Le Cinq is the highest ranked three-Michelin-star restaurant on TripAdvisor.

It also happens to be located right inside the Four Seasons George V. Now that’s handy.

Dining Options

(From the Four Seasons Paris’ three dining options: Le Cinq, Le George, and L’Orangerie.)

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We spoke with the PR Coordinator for the hotel, to find out a bit about what’s new, and what’s remained the same at the George V.

The Interview

Q: Can you give us a brief history of the hotel from a fashion perspective: lists of fashion and music icons who stay or have stayed there while in Paris?

We would have loved to share with you our fashion and music icons; however, for our clientele’s privacy, we are not able to share with you who has stayed with us exactly at the hotel.

We offer a secret back entrance for certain fashion and music icons, for their privacy and not to be bothered by too many fans at the entrance of the hotel.

We offer a secret back entrance for certain fashion and music icons.

(Editor’s note: Some past luminaries can be found in Bercoff/Serieys’ book Four Seasons Hotel George V Paris: A Parisian Legend.)

Q: What sets the Four Seasons apart from hotels such as the Ritz in terms of service and amenities?

Each hotel offers various different types of services and amenities. Our hotel and brand Four Seasons is well known for its flawless and personalized service for each client.

We have a very loyal clientele who come very often to the hotel and we make sure to give them a “wow” experience during their stay with us. We anticipate what the clients want before he/she asks for it and we go above their expectations as some of our loyal clientele we know their habits and know their preferences.

We make sure to give clients a “wow” experience.

Presidential Suite

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In terms of amenities, Jeff Leatham, our Artistic Director, always likes to prepare magnificent bouquets for our clients for special occasions. In each room or suite, we have various flower arrangements to always make sure a room has flowers in it.

Eric Beaumard, Director of our three-Michelin-star restaurant Le Cinq, is also a world-famous sommelier, who has won Best Sommelier awards in France, Europe, and is winner of the World’s Best Sommelier championship.

Mr. Beaumard selects tailored wines for our amenities to send up to our clients.

Q:Tell us about the importance of the Four Seasons’ location near the Avenue Montaigne.

We are in the Triangle d’Or, which our clientele really enjoys as it is very close by the Avenue Montaigne [Paris’ fashion district], Champs Elysées, the Arc de Triomphe, the Seine, and of course, the Eiffel Tower.

Our location is very central and is ideal for any client to go on an adventure by foot in Paris.

Also, our location is ideal for any type of receptions our clients would like to host, from a cocktail party to a fashion show, as we have wonderful spacious salons like our Salon Vendôme, which can host a fashion show, with another salon serving as a backstage to have more privacy.

Our Salon Vendôme can host a fashion show.

Royal Suite

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On your next trip to Paris, be sure to visit the Four Seasons Paris George V. We will. As soon as we’re able to pawn our car.

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(Thank you to the Four Seasons PR team for information for this story.)

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With love,

FWO

Santillo 1970 Interview: “Slow Tailoring” and the World’s Best (Handmade) Shirts


Santillo 1970: “Slow Tailoring” and the Modern Age

Consider it a backlash of sorts. Beneath the ultra-affordability of “fast fashion” (which we’re no strangers to ourselves), there’s been a renewed interest in “bespoke” and hand-crafted clothing. These aren’t clothes that you wear one season and forget: this is clothing meant to last many seasons — and meant to say something different about the wearer. Not that you’re “on trend.” But rather, that you are timeless.

When it comes to suits, certain names come to the forefront in terms of Italian craftsmanship: A. Caraceni, N. H. Sartoria, Rubinacci; among others.

But when it comes to shirts — painstakingly handmade, in the oldest traditional style — you may hear the brand “Santillo” bandied about by more than one aspiring or established style icon.

Santillo 1970 was founded in the Calabria region of Southern Italy in 1968, when Mrs. Angela Lemma opened a small workroom in Catanzaro, then passing the baton to her three children — Gennaro, Annaluce, and Saverio — who continue the family tradition today.

I had the great pleasure of meeting Gennaro and his brother Saverio at their showroom in Milano, where they very passionately spoke about their love for shirtmaking, the creation of their most recent collection “Patrimonio 1970,” their family, and their expectations for the future.

Santillo 1970

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Q: Hello Gennaro, thank you for joining us here at FWO.

Thank you Laura for your pleasant interview.

Q: This all began with your mother Angela, and your father Giovanni Santillo. Together they created the family business Santillo 1970. What was it like growing up in the household with such passion for shirtmaking?

My mother is a great woman, with a lot of passion for her job as well as a very ethical approach.

And she still has the same passion she had when she started out: as well as so much love for her sons and grandchildren. She is by far the best seamstress in the world; she can create a model fit for our clients just by looking, without any measurements or knowing their size. This due to her 50 years of experience creating handmade shirts.

She can create a model fit just by looking at a client.

I grew up in a tailor’s. My favorite games were to cut the material with huge scissors — many times by utilizing textiles that were ready to be used! My mother used to get angry at me [he laughs]. But I was too young to understand that. For me the tailor store was my playground, and my tools were my toys. What wonderful childhood memories!

My favorite games were to cut the material with huge scissors.

Q: What does Santillo 1970 represent to you in your heart?

Santillo is not only a trademark, but it’s my family name. It’s a huge responsibility to carry on this business with my brothers and especially a third generation tradition.

Q: Having a business organized by family members must have its ups and down. At the end of the day, how do you resolve those differences?

Santillo 1970 is a family run enterprise, but it follows trade, development rules, and regulations, just like a more structurally complex company. The members of the family add value to the company. Execution and ideas are our common goal.

My father Giovanni deals with the administrative sector, while Saverio takes care of cutting and preparing models; Annaluce of the preparation and the sewing, and I’m in charge of the commercial aspect. We work everyday, together, as a team, discussing every single decision.

We work everyday as a team, discussing every single decision.

Q: What is the force that has kept the family business together for almost 50 years?

The love toward this job and the absolute uniqueness of our shirts and blouses.

The absolute uniqueness of our shirts and blouses.

Q: You have two sons who have shown a great interest in the business at such a young age. Are you hoping your boys follow in your footsteps and carry on the family business?

Yes I have two sons, Mattia five years old and Luca, three-and-a-half years old, who have tailoring in their DNA.

It couldn’t have been otherwise. Mattia himself chooses the textiles for his fitted shirts, while Luca adores yellow and bases his choices on his favorite color: their minds are really made up.

I leave them free to do whatever is best for their personalities. Then if they decide one day to pursue this career, that would make me very happy. But first they need to study and acquire some experience.

Q: What is the process in shirtmaking: from the beginning of the creation, clip and customization, to the most popular collar style and color?

We begin with cutting the shirt once, both for bespoke and RTW. Every single part of it is handmade: collar, cuffs, etc.

Afterward we start working on the ironing board, sewing, flat fell seam, buttonhole, and finally the ironing and folding.

Dean Denim” and “Connery” in white are our bestsellers.

Every single part of it is handmade.

Q: This year you launched the “Patrimonio 1970” collection. Please tell us the inspiration and creation behind of one of my favorite Santillo collections?

Patrimonio represents love for the land of our roots, Calabria. The results of this connection to our work is seen through the use of an ancient technique dating back to the Magna Graecia [8th Century B.C.] era: such as using old looms and the crochet embroidery.

We use a technique dating back to the Magna Graecia era.

Q: Honestly I think all of your shirts are my favorite; but we all have our favorite favorite, which for me are “Dean Denim,” the luxury handmade white shirt, the “Sea Island Cotton Shirt” and the “Positano Vintage” … to name a few. Customers are able to order directly from the website from bespoke suits, shirts and accessories. What is the ordering process for a customer who cannot come directly to your showroom in Milan?

Online our clients — in any part of the world — can purchase our RTW models designed with the same particularities of bespoke.

Our clients — in any part of the world — can purchase our RTW models.

For this reason we have created a new word, “slow tailoring.” Bespoke means that both the the customer and the tailor are in the same place.

We are very interested in the USA market; in fact we have lot of U.S. clients who shop online, especially from New York City. We are planning to be more present in the USA market by opening a store.

It’s a combination of resources: philosophy, details, the fit and fine textiles. Our vision concerning the product and the classic idea of elegance.

We have created a new word, “slow tailoring.”

Q: Will you be launching a women’s collection in the near future?

Yes! We will create a women’s RTW capsule collection inspired by the fashion icons Audrey Hepburn and Jaqueline Kennedy.

We’re creating a women’s capsule collection inspired by Audrey Hepburn and Jaqueline Kennedy.

Q: What sets Santillo 1970 apart from other shirtmakers?

The passion and background, in addition to perfection. Our creations are the result of research of old textiles and models updated to a man’s need for practicality and versatility.

Q: Where do you see Santillo 1970 in the future?

 
To have our creations in the world’s best department stores.

Thank you Laura for the wonderful interview!

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Learn more

santillo1970.com

 
With love,

FWO

Back in Black: The Case for Black Lipstick

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Black to the Future: Bringing Black Lipstick Into a Modern Ensemble

 

The Hadidster rocks black lipstick. Photo via: @Jennifer_yepez
The Hadidster rocks black lipstick. Photo via: @Jennifer_yepez
The general reaction black lipstick garners is never quite positive. In a world where lips can be any shade of red, purple, or orange, the spectrum of acceptance is surprisingly narrow.

It’s one thing for runway models to sport gold-leafed lips or for wine-colored pouts to be hailed on account of Lorde. This is recognized as an expression of art.

But black lipstick? It’s the facial flag waved for counter-culture, the punctuation to a punk outfit or a gothic ensemble: never for a self-respecting fashionista.

It’s the facial flag waved for counter-culture.

Rihanna and a handful of other celebrities have begged to differ, wearing the controversial shade with class and aplomb.

Maybe the ever-shocking black lipstick doesn’t just need to be paired with a Victorian corset or spikes, maybe it just needs a makeover — an identity change.

It’s hardly a matter of pulling off the shade, as the rule in fashion is to pull off what you want to pull off — confidence being the necessary ingredient here. It’s a difficult color to take on, but approaching the shade at a new angle can make it fresh.

Adding black lipstick and maybe a string of pearls to your LBD, brings your classy ensemble from classic to daring.

Adding black lipstick to your LBD brings your ensemble from classic to daring.

Or, spicing up a casual, neutral look with the shade makes you look more refined than the actual effort of the look would normally dictate. Browns, denim, black (obviously), and other neutral tones look fantastic with the shade.

If you want to ride a little closer to the edge with black lipstick (as if it weren’t daring enough), it does well as the final touch to a daring look.

The key with black lipstick is to carry it as the audacious anti-color it is: with confidence and ferocity. And as a rule, erring on the side of neutral color with it is always a safe bet.

Erring on the side of neutral color with it is always a safe bet.

Whatever you do, never be afraid to paint it black!

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With love,

FWO

Win 2 Tickets to #NYFW!

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FTLModa, Savoteur.com and FWO Are Teaming Up To Take You to #NYFW!

 
Enter Here to Win

 
win-nyfw-ticketsHere at FWO, we’ve been bringing you a little closer to fashion week since 2012. Now, we’re teaming up with FTL Moda and Savoteur.com to send you to NYFW.

 
What You’ll Get

Tickets for 2 to see FTL Moda’s #IAmNYFW show in Manhattan on February 15th at 6:30 PM, in super seats!

 
How to Win

Just enter here.

 
Good luck!

 
With love,

FWO

IAMNYFW-Pre-Show-Event

Creating The “Cool”: Summer School Creative

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Summer in the City

Ashley-mainIn the world of fashion and entertainment, image is everything. But how do you create that “effortless cool” (almost never effortless IRL) when you don’t have the time … or don’t know where to start? You might want to hire someone like New York entrepreneur Ashley Mihelich of Summer School Creative.

Q: Tell us a about Summer School Creative.
Summer School is basically a one-stop shop for all things creative. Originally, it started out as a place to get content: from photo shoots and lookbooks to behind-the-scenes videos and social media content. Then we got involved with the development side, like creating logos and graphic design.

Summer School Creative is for people who don’t know how to present their image to the world. So we work together to create that vision, and then I go out and hire the models, find the location, and do all of the groundwork.

Summer School Creative is for people who don’t know how to present their image to the world. So we work together to create that vision.

Summer School Creative

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Q: How did you get started?
My friend and I have a hair accessories company. We were creating our own photo shoots and, from that, we met this great network of photographers and makeup artists. I really enjoyed developing the creative direction for shoots, and so the whole concept grew organically. I then decided to offer my network and my services to other designers as either a full package or as à la carte services.

Q: What are you most looking forward to at NYFW this February?

The Internet has made everything so fast at New York Fashion Week. So I always enjoy seeing what brands are doing to make fashion new and innovative.

I always enjoy seeing what brands are doing to make fashion new and innovative.

Q: What’s your favorite trend this season?
I’m really drawn to the culotte trend, although I haven’t gotten into it myself just quite yet.

Q: What makes Summer School Creative special?

Summer School Creative is a one-stop shop, which makes it a really easy solution when you need extra time — or more help — with your brand. We work with a range of emerging designers and established brands to put the best content out there.

We work with a range of emerging designers and established brands.

Q: What’s your favorite thing about working in fashion?

summer-school-creative-nyfw-new-york-fashion-3

I love looking at what everyone is bringing to the table for a brand. And because everyone has their opinion, making it all work is the most interesting aspect.

Q: How do you balance your vision with your clients’ visions?

I think it’s a matter of learning how to talk to people. When you can explain the reasoning behind your vision, people tend to meet you in the middle, and are willing to compromise on something you might have originally had opposing opinions about.

Q: Where do you see Summer School Creative in five years?

I would love to see the company have its own space where brands can speak to Summer School Creative consultants, take photoshoots, etc. So essentially bringing us to the same level as companies like Sandbox or Milk.

Q: Any final thoughts?
We’re bringing our clients quality creative options at a very affordable price. We love helping brands successfully convey their vision to the masses.

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Learn More

Web: SummerSchoolCreative.com
Twitter: @smmrschl
Facebook: @smmrschl
IG: @smmrschl

With love,

FWO

Golden Globes 2016: Which “New” Designers Ruled the Red Carpet?

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The True Winners of the Golden Globes 2016

Photo: fashionsizzle.com
Photo: fashionsizzle.com

While most people were glued to their television sets (and phones) watching the Golden Globe Arrivals Special, to see the dresses and outfits the celebrities were wearing on the red carpet — and posting/tweeting about which were the best and the worst dressed — I noticed something else.

It was exciting to see the amount of new designers worn by some of the younger and older generation of talented Hollywood actresses. Now by “new,” I mean designers other than the usual household names … names not typically recognized by non-fashion followers. These “new” designers are now infiltrating the red carpet.

“New” designers are now infiltrating the stream of typical red carpet exclusivity.

Since the late, great Joan Rivers made “Who are you wearing?” the most famous phrase on the red carpet, celebrity arrivals for award shows have now become an event into itself.

The 2016 Golden Globe Awards were no different … except that the names of designers being mentioned in the media now included Reem Acra, Elizabeth Kennedy, Thakoon (you may recognize his name from the infamous The September Issue movie-doc), Genny, Jenny Packham, Paule Ka, Andrew GN, Roland Mauret, and Zuhair Murad.

Genny Spring 2016
Genny Spring 2016

Of the Golden Globes, Vogue said: “As the first big night on the Hollywood calendar, all eyes are perennially on the Golden Globe Awards to set the trends — both in red-carpet fashion and for the names to watch this awards season.”

If that statement holds true, then the fashion trend coming in Hollywood is to search out new talent and new creativity from designers who have incredible work … but may have not yet received the fanfare of a household name.

Or maybe the new visibility of fashion week, an increased awareness of the breadth of talent out there, and a heightened interest in fashion by the public is also playing into it.

No matter what’s fueling the trend, this is great news for all upcoming designers: to know they could have a shot to outfit an “A-lister” on the red carpet.

Congrats to all the designers who received prime placement on these A-list actresses:

Laverne Cox (Orange is the New Black) – Elizabeth Kennedy

Joanne Froggatt (Downton Abby) – Reem Acra

Taylor Schilling (Orange is the New Black) – Thakoon

Bryce Dallas Howard (Jurassic World) – Jenny Packham

Jaimie Alexander (NBC Blindspot) – Genny

America Ferrera (Ugly Betty) – Jenny Packham

Patricia Arquette (CSI Cyber) – Paule Ka

Malin Akerman (Billions) – Reem Acra

Calista Flockhart (Supergirl) – Andrew GN

Jenna Dewan Tatum (Supergirl) – Zuhair Murad

Eva Green (Penny Dreadful) – Elie Saab

Maura Tierney (The Affair) – Elizabeth Kennedy

Jennifer Jason Leigh (The Hateful Eight) – Roland Mouret

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With love,

FWO

Karlie Kloss Is the New Face of Topshop

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Topshop Snags Karlie For 2016

karlie-kloss-topshopYep, as if nonstop modeling, attending NYU, and running Klossy weren’t enough, apparently Karlie Kloss will be the face of Topshop for 2016.

 
Top Style
 
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She’ll be picking up the spot held by Cara Delevingne in 2015. The new campaign was shot in New York by acclaimed photographer Tyrone Lebon and styled by Topshop Creative Director Kate Phelan.

The new looks are very Topshop indeed: “everyday chic” with clean silhouettes that translate well into daily life.

The collection lands in stores in the coming weeks. W00t! (Felt like a “w00t” moment.)

Grateful to be kicking off 2016 with @Topshop ?

A photo posted by @karliekloss on

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Read more about the collection at Topshop.com.

karlie-kredentials

With love,

FWO

Making “Geek” Chic

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Fashion Tech: Where Are We Headed Next?

by Emy Kane

Chanel’s spring:summer 2016 showRemember Google Glass? Yeah, me neither. Apple watches on the other hand? Well they’ve sold 3.6m in Q2 alone. So what’s the diff? Does our dislike of Google Glass harken back to the days of being called four-eyes? Bandaging broken frames with athletic tape? (Unfortunately I’ve experienced both first-hand.)

Even with the Warby Parker empire growing daily, it seems the fashion world isn’t ready to render themselves “geeks” for the sake of hands-free Instagramming. But tech’s role in fashion hasn’t let up: in fact, it has grown. Just in subtler ways.

It’s no secret that tech has seeped into every facet of our lives, and so fashion has been forced to integrate tech into its fabric. Take Apple Music for example. After Apple acquired Beats, the leading audio lifestyle brand, they rolled out an entire marketing strategy to target the fashion set with music’s leading style icons: FKA Twigs, Sam Smith, Pharrell, among others. Though these ads do not showcase product, they do showcase the omnipresent power tech has in our cultured, stylish lives. Through association with these style icons and a slick user interface, Apple Music became the chicest streaming accessory of the season.

Fashion has been forced to integrate tech into its fabric.

Brands have also incorporated tech in other ways. Take Karl Lagerfeld’s Chanel SS16 show, where models wore LED sneakers down the runway. While maybe not immediately recognizable as “tech” per se, these Tumblr-like aesthetics demonstrated how tech has creeped into the sartorial vocabulary.

CuteCircuit, a London-based brand, is another such example. Since 2004, Francesca Rosella and Ryan Genz have been crafting clothing and accessories made of smart textiles and micro-electronics. From LED handbags that display tweets to USB powered dresses, Katy Perry’s endorsement of their growing label makes it clear fashion and tech are growing closer by the day.

Katy Perry’s endorsement of their growing label makes it clear fashion and tech are growing closer by the day.

So how do you make “geek” chic? Sound off in the comment section, or tell us on our social channels!

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With love,

FWO