A whistle: partisan call, intersex serenade.
A sound that slips outside the body’s limits, deliberately boorish — because it goes beyond words and forces the mouth into that tiny, impertinent, dark “O.”
These swirling turbulences of breath are translated into a dreamy concert, which frames the FW26 collection. After all, clothes hold little allure without the density of the air that surrounds them.
The sound is unplugged , analog, stripped of words, yet recorded at some level of the soul, attempting to articulate something intimate yet capable of collective resonance.
Magliano
Magliano stages acoustically what it holds most dear: the elegance of the provincia (outskirts), drawing on those shameless codes that render it lyrically rather than geographically.
What emerges is an anthology of the brand’s work, where wardrobe classics born out of necessityand urgency stand out — one that forgoes etiquette: a vernacular more universal than one might imagine.
In the brand’s signature, scarves and organza traverse coats as if engulfed by fog or thick breath.
A visual crasis that speaks of a design infatuated with cinematic gesture instills new poetic functionalities onto clothes like the taxi jacket, for those who linger in the cold night.
Twisting, strangling trousers disobey those who wear them.
In this fight, belt pieces and sartorial fragments — elements that concern the waist — turn into relics trying to resist a karmic scrambling.
Tartan, quintessentially folk, drapes heroic bodies.
A certain utilitarian gaze is directed toward tropical polyester, made more complex by intricate finishes that mimic shearling, stressing an organic nature.
Crystalware and bunches of keys are offered as images printed on silk: two extremes suggesting a longing for preciousness and the need for a safe space — in a word: Home.
Shetland, Harris tweed, and mohair are the favored materials: offering moments of pulp color in the form of 90s tailleur and twin sets. A luxury that forgoes its quiet self in favour of being rough and agitated.
Paris — the city of barricades and kisses — becomes the final addressee of the collection.
