How Dolce Vita Collection is Empowering the “Effortlessly Cool” Woman

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Dolce Vita Collection’s Laid Back, Luxe Handbags are Made for the “On the Go” Woman

by Chris Collie, NY Senior Editorial Director

I recently heard a fashion expert say, “Bags are no longer an accessory for women; they’re now an integral part of a woman’s wardrobe.” No truer words have been spoken when it comes to the modern, on the go woman. Not coincidentally, “on the go” is the exact description of the ideal woman given by Dolce Vita Collection’s founder Liz Hwang.

The streets of NYC gave birth to these bags, which have struck a chord with the effortlessly chic woman who wants to travel from the board room to a night out on the town. Thanks to Dolce Vita Collection, it’s an easy transition. Running to catch a cab for an evening soirée? Easy. Some bags convert to backpacks.

Running to catch a cab for an evening soirée? Some bags convert to backpacks.

We recently sat down to discuss her brand, experience the current F/W ’15 collection, and get an exclusive peek at the S/S ’16 collection.

 
Highlights of the F/W ’15 Collection
 
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Entering DV’s showroom, I was immediately greeted by the Dolce Vita logo, and DV’s Head of E-Commerce/Marketing Lisa Jackson. As Lisa escorted me to the conference room where I would be sitting down for an in-depth conversation with Liz, she explained they were in the midst of Market Week prep, so I would be the first to see the new collection. (Fashion gods shining down on me.)

Lisa explained I would be the first to see the new collection.

Next Liz walked into the conference room with the most pleasant smile and immediately thanked me for taking the time to show interest in the collection. Then she made me a friend for life, by offering me free reign of the giant candy jar at the centerpiece of the conference room table. I immediately thanked her and took note for indulging post-interview.

Q: Thank you Liz, for taking the time to sit with me. I know your time is limited, so I’ll make this brief. Considering how vast the handbag industry is, what differentiates Dolce Vita Collection in the marketplace?

Liz: We saw a white space in the handbag industry. So we focus on design as our differentiator, and translate it to the “Dolce Vita Woman.” This woman is stylish, aware, and constantly on-the-go.

 
Sneak Peek at the S/S ’16 Collection
 
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Q: If you could have a conversation, and give advice to your younger self, what would that advice be?

Liz: Always listen to your customer because this [looking into the showroom area from the conference room] is all for them. They are your bosses in terms of what you do. They vote with their dollars.

Always listen to your customer because they vote with their dollars.

Q: What direction do you see for the identity of Dolce Vita Collection going forward?

Liz: I continue to see the collection making a mark as a niche brand. It is — and will continue to be — for the woman who wants something different and special.

Dolce Vita is for the woman who wants something different and special.

Q: Thank you Liz, for your answers; I wish you well with Dolce Vita and thank you for allowing me this tour of the S/S’16 Collection.

After shooting pictures of the showroom and the new collection, I spoke with Lisa, and informed her I would be following up with more questions to try and get a better idea of brand’s DNA.

Q: What’s the origin and background of the name, Dolce Vita?

Lisa: Dolce Vita Collection was founded in New York to empower the effortlessly cool individual who knows the “Sweet Life.” We provide timeless styles with a twist, so our handbags can sustain the on-the-go lifestyle of go-getters.

We want to empower the effortlessly cool individual who knows “the Sweet Life.”

Q: Which handbag in the collection has really resonated with your customer? Is there a signature piece that’s a staple of Dolce Vita Collection?

Catch a cab with ease. It converts to a backpack.
Catch a cab with ease. It converts to a backpack.

Lisa: The convertible backpacks have been extremely popular. Each of these handbags features removable shoulder straps, so they can be worn as a backpack or a shoulder bag, which has become an essential feature for women who need to seamlessly transition from day to night. These are signature features affiliated with the brand. Designed with the “Dolce Vita Woman” in mind, we’re known for offering convertible designs, bold colors, and beautiful custom hardware.

The convertible backpacks have been extremely popular.

Q: How did Liz decide that handbags were the niche of fashion where she thought she could excel?

Lisa: Liz has always had an exceptional talent for design and attention to detail. She also witnessed her father found our parent company, which continues to flourish 31 years to date! These are two of many factors that have played a role in her pursuit of developing her passion.

Q: With the digital age catching up with fashion, how is Dolce Vita Collection positioning itself to adapt?

Lisa: We recently relaunched our website to include integrated social content. Instagram photos from @DolceVitaHandbags are fed into the homepage and index page content streams. We also launched a new social media campaign on Instagram, Facebook, and Google+ featuring the inspiration of New York City coffee culture, plus a content series featuring young women who personify the Dolce Vita brand and our commitment to on-the-go fashion.

We recently relaunched our website to include integrated social content.

Q: What is coming down the pipeline for Dolce Vita in the near future?

Lisa: As a relatively new brand, we are consistently seeking out new ways to show appreciation to our customers. Therefore, stay tuned this holiday season to see a series of digital and offline appreciation events tailored with the “Dolce Vita Woman” in mind!

Stay tuned for a series of digital and offline appreciation events!

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More info.: dolcevitahandbags.com

Editorial Note: The entire team at Dolce Vita Handbags were not only very welcoming, but knew their brand DNA and had a definite vision for their growth and expansion. They are definitely a brand FWO will be keeping an eye on.

 
With love,

FWO

Custo Barcelona Celebrates 39th NYFW: Interview Inside

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Custo Dalmau:
Taking His

Time

 


Designer Celebrates Craftsmanship With “Slow”

custo-nyfw-closeup-main2Here at Fashion Week Online, we’ve been talking about the “return to craftsmanship” movement for some time. (Or at least, for awhile in “fashion time.”) This obsession with detail and quality is perfectly evidenced in Custo Barcelona.

Custo Dalmau, the force behind the brand Custo Barcelona, is no stranger to fashion or New York Fashion Week. After all, this is his 39th NYFW season.

The pieces of the new collection feature intricate details and elaborate production processes

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Think the “slow cooking” movement, applied to fashion.

custo-barcelona-nyfw-spring-2016-4The pieces of the new collection feature intricate details and elaborate production processes. Think the “slow cooking” movement, applied to fashion.

The garments are all produced in the company’s ateliers and again bear the “Made in Spain” distinction sewn into the label.

In “Slow,” the key elements are muscular patchwork garments, dresses, coats, jackets, tops, tunics and pants featuring organic cuts inspired by ergonomics and puzzles. These pieces play on their muscular shapes, marked off with contrast stitching and gaps that emerge when they are joined, defying the conventional.

Organic cuts inspired by ergonomics and puzzles feature blond lace and open knit mesh.

custo-barcelona-nyfw-spring-2016-3Especially evident in the collection’s looks is the delicacy of the fabrics, such as blond lace and open knit mesh. These were once used solely for women but now also hint at the skin of the male bodies on the catwalk. This “trifecta” — as it’s called in the firm — of three garments brought together by the same fabric and print in a single look yields a very compact visual concept, keeping with the style of Custo Barcelona.

The color palette is inspired by nature: petal pink, emerald green, white gardenia, Mediterranean blue and tangerine.

The color palette for the various looks is inspired by nature: petal pink, emerald green, violet, white gardenia, mauve, fuchsia, lime, lemon, Mediterranean blue and tangerine come together harmoniously in the pieces. The strength and personality of black, play an important role of the looks on the catwalk, but earthy tones colored by the setting sun together with knit textures are another of Custo’s winning formulas.

custo-barcelona-nyfw-spring-2016-2In the men’s looks, the firm sought the carefree elegance of the Mediterranean man, using geometric and pictorial graphics in the signature look of the company.

Presented for the first time at Pier 59 Studios, the show once again brought together the brand’s faithful followers, who did not want to miss a single detail of the latest proposals by Custo Barcelona. The guest list included Dascha Polanco, Selenis Leyva, Karrueche Tran, Andi Doorman, James Goldstein, and Mariano Di Vaio.

With love,

FWO

Dascha Polanco of Orange is the New Black
Dascha Polanco of Orange is the New Black

Interview with Dean and Dan Caten (DSquared2)

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Interview with Dean and Dan Caten (DSquared2)

by Pablo Starr and Milan Editor Laura De Rochas

Dan and Dean Caten grew up in Ontario, Canada, then moved to New York to study fashion at Parsons The New School for Design. Staying only one semester, they found financial backing for their first collection, and then moved to Milan, working for Versace and Diesel.

Today, they are, quite simply, some of the most consummate artists in the fashion world, with an almost appalling gift for color, texture, and detail, with a signature style that’s cheeky, daring, and always exciting.

Q: I have to admit I’m a big fan of your brand. In fact, I wore your “Sisters From Hell” T-shirt to last New York Fashion Week! I also own some pieces from your infamous “Homeless Collection,” as well as several pairs of jeans. One of my favorite things about the DSquared2 brand is its playfulness; almost a “sneakiness”: luxury wear disguised as street clothing, that just gives little hints to its pedigree. The T-shirt that looks like a heavy metal T-shirt. The belt buckle that looks like a smashed soda can. The brand-new shoes that look like an amazing thrift-store find. Where do these ideas come from? Is there a philosophy at play? Perhaps an homage to the artistry-of-everyday-clothing, or to “accidental” styles?

“Accidental and personal style” could be the proper answer. … And do you know why? It’s more a matter of personal interests, positive vibes and those funny ideas that we try to translate into fashion items. Creativity inspires and leads everything concerning our job. And it comes from everything surrounding us: that means music, people, places. Everything! No limits, no boundaries, no precise restrictions to the creativity.

No limits, no boundaries, no precise restrictions to the creativity.

Q: A lot of your designs are exaggerated versions of items that already exist; larger than life. Is part of your vision to distill the essence of a past style, or a particular look, and somehow put it on steroids? To create the ultimate — or idealized — version of it?

We just look around us … We just use imagination, personality and individual tastes. The essence of everything is simply our vision of fashion and beauty. We are inspired by the past and from everyday life. Our purpose is always to be innovative, and at the same time be in line with our D2 fashion codes.

The essence of everything is simply our vision of fashion and beauty.

Q: There’s also a lot of humor in your designs. A sense of fun that never takes itself too seriously: jeans made to accentuate the crotch. Or that appear to be on backward! Jeans with pen marks, as if worn down by an impatient student in a long class. They’re items that seem to have a back story. They also invite people to want to ask you about them; conversation starters.

Everyone should take themselves less seriously! We do that! Fun is our strength. We love our job, and we always try to make it in a positive atmosphere! Behind our collections, there are always playful moods and meanings.

Everyone should take themselves less seriously!

Q: Music seems to be an inspiration behind many of the looks. What music inspires you?

We do not have preferences … we love all kind of music! And we love to work with it. It is always been an important part of our work!

Q: What lies ahead for DSquared2? Any beginning ideas for next season, or are you content to rest for the moment?

We never stop … we rest for awhile, but we restart again as soon as possible. Next season? We never know exactly. It’s always a surprise … even for us!

Next season? It’s always a surprise … even for us!

With love,

FWO

Win Tickets to See Vivienne Tam at New York Fashion Week!

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Vivienne Tam NYFW Contest!

via Vivienne Tam Instagram

new-york-fashion-week-win-ticketsVivienne Tam is giving one lucky winner (and a guest) tickets to her #SS16 #NYFW show on September 14th!

To enter, simply follow Vivienne Tam on Instagram (/viviennetam) and upload a photo of your favorite Vivienne Tam outfit with hashtag #VTNYFW.

Upload a photo of your favorite Vivienne Tam outfit with hashtag #VTNYFW.

Deadline to enter is 11:59PM EST September 7th.

Winner will be chosen based on a combination of factors, including the quality and creativity of the photo (and caption) and the photo’s popularity (likes, comments, etc.)! Extra points to those who share this post on FB!

Ready, set, go!

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With love,

FWO

Max Gengos: Showcasing “Responsible Luxury” at New York Fashion Week

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Responsibility on the NYFW Runway

responsible-fashion-at-new-york-fashion-weekMax Gengos (pronounced “jenn­‐joss”) has already created looks for Kylie Jenner (for Teen Vogue, no less) and Calvin Klein. But his legacy may be something far more enduring: responsible luxury.

One of the great ironies in fashion is the disconnect between the beauty of the products, and the way the materials are often sourced. It’s a core paradox that’s increasingly at the forefront of the industry, thanks in part to recent clashes between manufactuers and influencers such as Jane Birkin and Stella McCartney.

One of the great ironies in fashion is the disconnect between the beauty of the products, and the way the materials are often sourced.

An increasing social consciousness and responsibility wave — which has embraced everything from gay marriage to transgenderism — is also demanding humane treatment of animals, an end to “conflict-sourced” materials (think: blood diamonds), unfair working conditions and labor practices, and a turn to eco-friendly materials.

An increasing social consciousness and responsibility wave is pushing for humane treatment of animals and eco-friendly materials.

Enter an array of young designers like Max Gengos.

According to Gengos’ press release, Max’s “concept of ‘responsible luxury’ is reflected in his dedication to sustainable and ethical production: from working with an Italian mill using photovoltaic cells for renewable energy, to closely monitoring his NYC ‘slow-tech’ production facilities.

“His forthcoming Spring 2016 collection, ‘Neo-Tropico,’ builds upon the designer’s signature form-flattering silhouettes and infinity hems with the addition of tailoring and outerwear, as well as a fresh, modern color palette beyond his core neutrals.

“Included in the new collection will be Max’s leather-alternative ‘vegan moto jacket.'”

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More info.: maxgengos.com

Max Gengos’ New York Fashion Week presentation will be Friday, Sept. 11, from 4:30 pm – 7 pm.

With love,

FWO

Meet Roberta Whitney, of RAW Talent

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by Chris Collie, NY Senior Editorial Director

RW3When modeling agencies are searching for the next “it” girl or guy, they sometimes refer to the process as “searching for raw talent.” Well a 20-year veteran in the modeling, fashion and beauty industry has taken the phrase “raw talent” a step further.

Roberta Whitney, after an extremely successful career as model — in which she has graced the pages of such publication heavyweights as ELLE and Cosmopolitan — founded RAW Talent, a premium beauty, fashion and etiquette coaching boutique. With its location in Central London within the private membership club The Library, the boutique offers a bespoke program to suit a woman or man’s needs in regard to, as they refer to it, “The Art of Social Grace.”

This unique coaching curriculum involves three primary focuses: beauty; personal fashion/character; and social decorum. Each specific area of the coaching within the boutique has a significant purpose behind it.

 

The Beauty Regime

Proven methods used by professional beauticians from global publications, franchise beauty photographers and celebrity make-up artists, who along with Roberta have developed an in-depth knowledge of using different shades and hues to best suit different skin tones and personalities.

 

Personal Fashion/Character Development

Each participant within the boutique goes through a personal character assessment matched with fashion trend extrapolation methods to ensure each candidate, no matter what their personal style, will attain a chic look to complement their fashion taste and body type. Roberta — having worn countless designer clothes in her work as a model — has developed a trademarked methodology for success in this area for her participants.

 

Social Decorum

Revolutionary methods focus on the development of the participant’s character and social skills. Not your average everyday “etiquette” classes, methods have been updated to work in the social media-driven we live in. Roberta is also careful to ensure the participants’ character growth outside of technology and social media, for the purposes of face-to-face conversation, networking and securing career positions for those who want a polished individual for their brand.

I was lucky enough to speak with Roberta Whitney, owner of RAW Talent.

 
Q: What inspired you to create RAW Talent?

 
I was inspired to create RAW after being asked over and over to help or advise people — or their children — on the modeling industry. RAW talent was born from the belief that everybody has raw talent, and helping unlock that talent and assisting people in the positive projection of self, whether in social or business environments, is my passion.

RAW talent was born from the belief that everybody has raw talent.

Q: Do you see beauty, fashion, and etiquette coaching as a necessity for today’s growing tweens, teenagers and young adults, as a way to instill confidence in them?

Yes I do. I’m inspired to create a place where positive values can be reintroduced, and confidence inspired. My aim is to enhance people’s ability to be positive and effective in their lives. Self-belief is crucial to instill in young people.

My aim is to enhance people’s ability to be positive and effective in their lives.

Q: With the increased use of technology in our society, is this boutique a way to bring back the art of social ease and face-to-face interpersonal skills, as well as conversation?

Technology is evolving at an alarming rate, and we can’t slow that process down. RAW Talent will create a platform where individuals can connect, meet industry professionals, and network in a safe space. In 2016 we plan to host networking events regularly, as we believe personal interaction is key, so that people can use some of the skills they’ve acquired through RAW Talent.

RAW Talent will create a platform where individuals can network in a safe space.

Q: With your background in modeling, are you going to teach your students the pitfalls and traps of not being balanced?

Yes, absolutely. My experience as a model has led me to create this agency. I can give people the inside scoop in the industry. Advising and supporting students on their journey — and how they can lead a positive professional life, as well as a balanced personal life — is key.

Q: What’s the selection process for the students of the boutique?

I believe we are all beautiful in our own unique way. RAW Talent is not focused on physical beauty alone, so anyone is welcome to train with me. Students who may not have conventional model potential will be advised on other modeling options, e.g.: commercial, hair, hand, or foot modeling, etc. We’re also committed to offering a limited number of scholarship,s to ensure that a range of people with varying economic circumstances get the opportunity to work with us.

Q: What do you feel the “art of social grace” is, in your opinion?

In my opinion there is an art to social grace. This translates across how you carry yourself, your energy, body language, and eye contact.

Q: How did you develop the curriculum for the boutique?

The curriculum has been developed by months of research and years of experience in the industry, and our commitment to helping people lead healthier and happier lives by living out their dreams is what we do well — and what we love.

Q: What is the ultimate goal of the RAW Talent boutique?

The ultimate goal of RAW Talent is to become synonymous with quality fashion and beauty training, and success. Giorgio Armani said, “The difference between style and fashion is quality.” I really believe it’s important to make a positive first impression … but it’s even more important to make a positive, lasting impression. And that’s RAW Talent’s goal.

It’s even more important to make a positive, lasting impression.

I want to thank Roberta Whitney for taking the time to speak with me while in London. For more information regarding the RAW Talent Boutique, email: info@rawtalentuk.com.

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Roslyn Griner: Bringing Plus-Size Glam to New York Fashion Week

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Roslyn Griner:
Fashion Ticket

Plus One

 


FWO Influencers Presents: Roslyn Griner, vice president of marketing & visual display at Addition Elle

By Chris Collie

Rosyln_GrinerThere’s a revolution going on in the plus-size market, whether you’ve been following it or not. The question is simple: Why can’t curvy-lined girls get the same clothes their straighter-lined counterparts can? One of the leaders of this new “fashion democracy” has been Addition Elle, with campaigns spearheaded by their VP, Roslyn Griner.

Their New York Fashion Week show, AG Lingerie “Black Orchid” Collection, will be held September 15 at 11 AM. Look for a new collection at Lord and Taylor Fifth Avenue, debuting September 16.

 
addition-elleQ: What was the actual turning point that inspired your venture into fashion marketing and product development in the plus-size market?

To be honest, it was kind of an accident. I mean I’ve spent most of my career in beauty. I was actually working in New York just before I started this venture into retail. A headhunter called me and said, “Hey, would you be interested in interviewing for this position?” I’d never considered retail, to be quite honest, and plus retail wasn’t anything that really came to mind. But I remember going to the stores and being really depressed by just how awful it was in terms of the shopping environment for plus sized.

I was really depressed by the plus-size department.

And I thought, “If it was me, and I was plus-sized, would I tolerate it?”

addition-elle-ig2I always love a challenge. I think when you put yourself in the position of the end consumer you’re trying to service, you end up really going in the right direction. And I think it’s because I wanted a challenge, and it was something completely different, and it was a bit disenfranchised from cosmetics. So I thought, “Hey I can try this.” And I love it. I love the feedback I get from our customers in our stores. We’re having a real impact and changing the dialogue.

Q: I can completely agree. I have some plus-size friends who have that complaint all the time. They say, “It seems like they’re just giving us clothes to put on, not clothes to actually feel good in. Just clothes to cover our bodies.”

Absolutely.

Q: Now the plus-size market is exploding. What has been one of the biggest challenges your team has had to overcome?

It’s been really simple. Customers are frustrated, saying: “Why is there no fashion democracy? Why can’t I get the same clothes that I see my non-curvy friends buying at H & M?”

They want to know, “Why can’t I get the same clothes that I see at H & M?”

addition-elle-ig1Why can’t I get clothes that look like that in my size?

So our vision statement for Addition Elle became, “We want to deliver fashion democracy, where style isn’t limited by size.”

And that was the insight that really drove the reinvention of our chain. It changed the way the merchants thought about the products. The other insight is that the fashion world has neglected plus size, and plus-sized people don’t see themselves being represented in Vogue or Harper’s Bazaar, or any magazine for that matter.

We want to deliver fashion democracy, where style isn’t limited by size.

So we wanted to create a very editorial style of photography, and portray our customer in a very inspirational way, as much as if it belonged in Vogue or Harper’s Bazaar. And those two insights started to change the destiny of our company.

We started to think about creating brands. For example, what if we want to create a brand like Top Shop? What would that look like? And that’s what the “Love & Legend Collection” is.

The fashion world has neglected plus size.

Q: I’m glad you touched on that. The landing page of Addition Elle looks editorial; like you pulled the photos straight from a magazine, and that is very, very new in the plus-size market. It shows you can be whatever size, and still have that glamour and elegance. What do you feel has been the most comprehensive campaign roll-out you’ve worked on? And which campaign you do you feel pushed the envelope the most?

I think the most challenging thing has been to start rolling out into new markets. We’re going to be launching at Lord and Taylor on Fifth Avenue on September 16th.

Lord_and_Taylor-logoQ: I’m sitting right across the street from Lord and Taylor right now.

What I really admire about Lord and Taylor is they really want to reinvent the shopping experience for plus, and they feel like none of the department stores are addressing it in a really beautiful, fashionable way. When you go to Bloomingdale’s what do you think of as the most contemporary floor? It’s the second floor, right? They have a cool, contemporary department, and you find all of the cool, contemporary brands there.

Lord and Taylor really wants to reinvent the shopping experience for plus.

But when you go to plus, everything is very misty, it’s very old fashioned. It feels like it’s basically directed at a woman who’s seventy-five years old.

The plus-size market is lacking a contemporary floor in department stores with that same energy. And no department store has been providing that energy.

So Lord and Taylor approached us and said, “We want to carry your brand, and we want to create a new contemporary floor in the process, especially with the departure of Jones of New York.” They said, “We want to fill that gap for the customer that they’re only finding online, because they can’t find it in stores anymore.” And it’s really the truth. And that’s the reason why so many younger plus-sized consumers have turned to the Internet to do their shopping, because they don’t find themselves represented in a brick and mortar store.

So many younger plus-sized consumers have turned to the Internet, away from brick and mortar./blockquote>

ashley-graham-additon-elle1

We feel like this is a great opportunity. But in terms of campaigns, I’m going to say it was a turning point when we signed Ashley Graham.

We said, “We’re going to do Victoria’s Secret even sexier than Victoria’s Secret.” And if you look at our video campaigns, it’s way sexier than even Victoria’s Secret.

We said, “We’re going to do Victoria Secret even sexier than Victoria’s Secret.”

I think the thing that turned it was the movie Fifty Shades of Grey. Last February, when I saw that Fifty Shades of Grey was going to launch, I had this idea. I said, “We’re going to merge reality and retail into this concept.” So I basically created a cinema campaign that was integrated into the pre-roll of the actual movie, and it ran just before the movie started.

We created a cinema campaign that was integrated into the pre-roll of Fifty Shades of Grey.

We created a video that mirrored the story line: like “girl meets guy,” fantasy sequel ensues, and then hot sex and magic. It was actually so hot that Google didn’t even want to run it. When we were going to advertise on YouTube, we had to have to have a Parental Guidance notice.

It was actually so hot, Google didn’t want to run it.

It was cool. And actually made me like it even better, because I said I’m not editing my content. And that last campaign I just did for YouTube, again was disallowed because there’s a part of the campaign where Ashley is topless, and she dropped her bra, and again we’re pushing the envelope of what is considered to be acceptable.

We’re pushing the envelope of what is considered to be acceptable. And the girls love it.

We want to push it because we see that they love it. The girls are just loving these campaigns; they’re loving that they’re being portrayed. It’s interesting that Lane Bryant ran the campaign “I’m no angel.” But yes you are, you are an angel! You’re hot, you’re sexy, and we’re going to represent you. And that’s when we came up with the mantra, and the hashtag, “#IAmSizeSexy.”

That’s when we came up with the hashtag, “#IAmSizeSexy.”

And it’s also inclusive, because you could be size 2 and be size sexy, and be size 22 and be size sexy. So it doesn’t feel like it singles anyone out. I think really the whole point of plus-size marketing is to be inclusive not exclusive.

Q: I thought the “I Am Size Sexy” campaign was really brilliant, because it covers all shapes and sizes.

Every size is beautiful. No size is more beautiful than another. And again, if your mission statement as a brand is to be about fashion democracy, you can’t say you’re better than anybody else.

Q: Walk me through the thought process behind “I Am Size Sexy.”

We were in a photo studio shooting Ashley for a denim campaign, and I said, “Ashley, take your top off” — as I usually say in photography — “I think you are just so sexy.” And she says, “I am size sexy.”

And so we sort of created the hashtag and plastered it all over the photo when we posted it on Instagram, and it went viral.

#IAmSizeSexy just went viral.

And then we said, “You know what, this is a great hashtag.” It’s not just limited to lingerie. We use it for clothing as well. We actually challenge girls to post their pics and tag it, “#IAmSizeSexy.”

And it also helps that Ashley uses the hashtag, we have other girls using it, and we even sell a t-shirt right now that says “I Am Size Sexy,” and we’re seeing girls posting pics on our Instagram account.

i-am-size-sexySo we’re constantly using it. But I think what has really rallied people around our Instagram account is we love that everybody posts. We love our “Fans Fridays,” where we post customer pics. We have fans around the world for our brands that probably never would have heard about Additional Elle if it wasn’t for our Instagram account.

Q: It’s all very relatable to the everyday person. They get to see behind the illusion of the world being perfect. They get to see the day-to-day. And it lets them fall in love with the brand more.

I definitely think our strongest asset right now is that the engagement of our customers with our brand is so strong. If you look at our social media director Jennifer Patterson, she’s a plus herself, and she posts pics of what she wears to work every day. And she’s become a personality that our customers and our our fans relate to. She interacts with them. We were one of the first brands really to portray a fashion image on Instagram in plus. We’re also on Snapchat. We’re also doing Periscope during the runway show.

We’re also doing Periscope during the runway show.

So we’re a very social brand. I think if you want to really connect with your customer, you have to be. That’s the dialogue you have every single day with your customer, asking her, “What do you like?” I post a lot of pictures when we’re shooting our campaigns, far in advance of when I’m going to actually release them. Because I want to get input from our customers: “What do you think of this dress that’s for holiday? Do you love to hate it?” And sometimes when I see there are a lot of “likes,” I actually go back to the merchants and say, “You’d better increase quantities, because they love this dress.”

Sometimes when I see a lot of “likes,” I actually go back to the merchants and say, “You’d better increase quantities.”

Q: For the future, what do you see in the next five years in terms of the growth of the brand?

ashley-graham-additon-elle2I want to be a global brand, and I actually think that one of the big opportunities to counter Victoria’s Secret, which doesn’t want to venture into plus size, is department stores have to break the rules.

Department stores have to break the rules.

You know how department stores are bringing in retail brands outside of their own brand? If you go to Bloomingdale’s you’ll see an All-Saints installation, or TopShop in Nordstrom. I really believe that that’s the future of retail in department stores.

I really believe that that’s the future of retail in department stores.

We’re very selective about our partners. Because we want to have partners that are going to have the same vision of where we want to take plus size. Eventually I’d love to global stores of Addition Elle — standalone brick and mortar stores — everywhere in the world.

I feel like our concept is just so relatable, and it’s so transportable, because really deep down, all women feel the same. They all love fashion. All girls love fashion. It’s in our D.N.A. So I think what we’re delivering is a concept that every girl can relate to, and I think we need to bring that really great in-store experience to department stores.

Really deep down, all women feel the same. They all love fashion.

We’re doing that with the Lord and Taylor for clothing. We launched Ashley Graham Lingerie with Nordstrom. We’re opening two stores as a test in October. I know we’re going to do amazingly online. It’s been performing even better than expected. So our partners are very excited by the performance of it. So it bodes very well.

As for the runway show, it was really important for me not show at Plus Size Fashion Week, but to be in real fashion week. This is really going to break the boundaries.

The runway show Sept. 15 is really going to break the boundaries.

Q: I’m looking forward to it!

 

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Addition Elle Presents Fall/Holiday 2015 RTW and AG Lingerie “Black Orchid” Collection> on September 15 at 11:00 am.

AdditionElle.com | Instagram | Facebook | Twitter

 
With love,

FWO

See the rest of Chris Collie’s series, FWO Influencers, at FashionWeekOnline.com/INFLUENCERS.

How Did David Manning Turn KIA Style360 into One of NYFW’s Hottest Tickets?

David Manning:
Creating NYFW’s

A-List

FWO Influencers Presents: David Manning, owner of KIA STYLE360

By Chris Collie

NEW YORK, NY - APRIL 18: David Manning visits the WireImage portrait studio at the Tribeca Film Festival Films "About Alex," "Gabriel," & "Match" Tribeca Press Day At The Carlton Hotel Hosted With Fiji Water And Dobel Tequilaon April 18, 2014 in New York City. (Photo by Thomas Concordia/WireImage)
NEW YORK, NY – APRIL 18: David Manning visits the WireImage portrait studio at the Tribeca Film Festival Films “About Alex,” “Gabriel,” & “Match” Tribeca Press Day At The Carlton Hotel Hosted With Fiji Water And Dobel Tequilaon April 18, 2014 in New York City. (Photo by Thomas Concordia/WireImage)

How did David Manning transform a PR company into one of NYFW’s most high-profile showcases? One thing’s certain: As a platform for some of today’s top designers — and now thanks to a new sponsorship with KIA — Style360 is driving New York Fashion Week like never before.
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As the latest installment in Chris Collie’s FWO Influencers, Chris speaks with KIA STYLE360’s creator, David Manning (also president of A-List Communications).
Q: I always like to go back to the beginning. You attended the University of Vermont as an economics major. What was the inspiration to get into sports and entertainment, and then create a branding agency?

I grew up in Boston, which is more of a financial town. I always had that upbringing too, so I thought I was going to become this business, e-con type person. That’s what I studied in school. Then when I get out of school and got my first job, I realized I hated it.

When I got my first e-com job, I realized I hated it.

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I play guitar, so I’ve always had a passion for music. And I’d always taken the advice to heart, “Do what you love, and you’ll never have to work a day in your life.” So I pursued that, and got a job in the music industry, and kind of got exposed to the marketing and sponsorship side of the business. It was a great fit for my business acumen and love for entertainment and music, so I just followed that career path., through several companies. The first company was the company that actually produces the New Orleans Jazz Fest and Newport Jazz Festival and things like that. I ended up being the vice president of marketing for Clear Channel Entertainment, which is now Live Nation, the concert company.

Do what you love, and you’ll never have to work a day in your life.

And then I decided to take a chance and start an agency with a few folks, then I sold out of that and started A-List Communications. So when the music industry did kind of a little downturn, I got exposed to some marketing opportunities with some other brands, particularly Premiere Magazine, which at the time was the #1 consumer film magazine, and that opened us up to a lot of opportunities with film.

We started working with Hollywood studios and doing film premieres and parties; Sundance and Toronto film festival activations. We started building a lot of brand marketing and event opportunities with that magazine. They were owned by Hachette Filipacchi, and they loved the programs so much that they introduced us to Elle magazine.

They loved the programs so much that they introduced us to Elle magazine.

They said, “Hey, can you build something for Elle in a similar fashion?” And we did. We built a program called “Style Lounge,” which is kind of what we have now, only on a smaller level. And then we changed the name around 4 years later when all these “gifting lounges” started to appear.

We didn’t want to be perceived as a gifting lounge, so we changed it to “Style360” because our premise is that we’re sort of 360 degrees of promotion marketing during fashion week.

Our premise is that we’re 360 degrees of promotion marketing during fashion week.

So we changed the name and evolved from there.

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Q: In terms of fashion, how did you conceptualize Style360? How did it go from a marketing company to actually introducing new collections? Was that always the intent, or did that come about more organically? Because a lot of big names are now showing at Style360.

I think we just kind of saw an opportunity in the marketplace. When we came out, it was all about Mercedes-Benz Fashion Week at the tents. There weren’t a lot of other opportunities [for designers] unless you were producing your own show. And as you know, even if you’re an established designer, or a newer designer producing your own show, between the lighting and casting agents and everything you have to do, it’s easily a 6-figure proposition.

When we came out, it was all about Mercedes-Benz Fashion Week. There weren’t a lot of other opportunities [for designers] unless you were producing your own show.

And the offerings at Mercedes-Benz Fashion Week were great in the industry, but they weren’t that discounted. You were paying anywhere from $25,000 to $50,000 just for a venue, then you still had to bring in your hair and makeup, and other things like that. So it was still a pretty expensive proposition.

Producing a fashion show was easily a 6-figure proposition.

So we just saw an opportunity in the marketplace and said, “Let’s create an opportunity where a lot of the production is already absorbed: the hair, makeup and lighting. We’ll bring in partners and sponsors that are organic to the initiative, from photography and camera companies and automobiles, to online and media companies.”

We were partnered with Elle at the time. And everyone was able to contribute to the mission of co-promotion, to make the events as big as they could be, at the same time subsidizing the cost of entry for the designers. We thought, “Let’s do this and see what happens.”

We thought, “Let’s create an opportunity where a lot of the production is already absorbed, and see what happens.”

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And we found there was a great opportunity for us to come in, and we did. And we found there were a lot of celebrities coming out with their own lines, with a very busy schedule. And they really needed an offering where someone could handhold them through the process, take on a lot of the production work, so they could come in really focused on the collection.

We found there were a lot of celebrities coming out with their own lines.

Q: Well there’s proof that it works. What is this, your 11th year? How has A-List Communications grown with the evolution of Style360, now KIA Style360?

Yep, 11 years! The program gives us some credibility when speaking about fashion. We get the opportunity to come to the table to speak with great brands like HSN, for example, which is how the Serena Williams Collection came about. And that leads to other opportunities. We also have culinary offerings, thanks to our partnership with Wolfgang Puck, and other areas. And that allows us to grow into other areas.

The KIA partnership, for example, involved creating a program for them sponsoring at Sundance Film Festival. And the big success there allowed us to involve them in Style360.

Q: So as it’s grown into a mainstay of New York Fashion Week culture, have you become more hands-on, or stepped back to be involved exclusively in the creative side, leaving the day-to-day to others? And what do you plan to do to make it even bigger, if that’s your goal?

Actually, the bigger it gets, the more day-to-day I am, because fashion is a very specific conversation to have with brands, with designers. It’s all about brand image, so that’s a very difficult thing to pass off.

It’s all about brand image.

So I’m very involved, though obviously it takes a big team to pull it off. I have a lot of great people under me making it happen. But my job remains pretty much the same, and maybe more so, in terms of picking the designers, curating the show, developing the sponsorship relations, designing the new KIA Style360 logo, which is something that I worked on with my designers … so yes, very involved with all those specific nuances. And of course growing the team, choosing the team members underneath me.

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Fashion’s a great space, but it’s a busy space, too. It’s a lot of work, but the great thing about fashion is that everyone’s so passionate about it. It’s about a vision that everybody has. So it’s a nice thing to be part of.

It’s a lot of work, but the great thing about fashion is that everyone’s so passionate about it.

Q: How do you choose the designers for Style360? Can people submit, or do you target certain designers? What’s the process?

It’s a little bit of both. But for us to keep it manageable and on budget, we have a specific process. We usually have a couple of celebrity designer brands, plus some established or growing fashion designers, like Raul Penaranda, for example. And a couple of mainstream designers showing within that as well.

We try to use that formula so it’s a good mix every season. A little bit of something for the fashion community, something from the pop culture side; from celebrity to emerging designers with a strong buzz. We want people who have a good following and who can generate some excitement and buzz themselves.

With the opportunities we’re seeing with New York Fashion Week, our next evolution will be to expand.

To your question about how we’re evolving, we’ve had this formula of 6-8 shows, but with the opportunities and the shift that we’re seeing, and the opportunities opening up in general with New York Fashion Week, I think our next evolution will be expanding the days, so we can accept and host more designers, which will make the process of people submitting to us more amenable.

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Q: That would be huge. Because I know there are so many designers out there, especially emerging designers, and producers, who would love to have a shot at working with Style360. What kind of advice would you have for emerging producers, who’d like to to show they can help you produce a show. Is there any specific formula or thing you look for when looking for producers to help you with the shows? Are there any emerging producers you have your eye on? Or do you mainly promote in-house?

Producers usually come with the designers, but [when looking] I would say success and track record. You don’t have to have produced 100 shows, but if you’ve done a couple shows that have proven successful, that’s definitely something we have an eye on, and can kind of bring you on the team.

We also want to make it the designer’s show, too, so they definitely have a lot of latitude to produce their own show within the space, and work with the people they usually work with. They’re not necessarily utilizing my team every time. We’re there if they need us.

The designer has a lot of latitude to produce their own show within the space.

Q: From the time you started A-List Communications and Style360 until now, would you say you’ve achieved all you set out to do, or are there still things you want to achieve?

It’s been a long, great road, and there’s a lot more to come. I don’t think we’ve even come close to where I would like to be. I think the fashion community is a very tight-knit community. My goal, at the end of the day, is to be fully embraced by all parties, and seen as one of the hubs of New York Fashion Week.

And the next step will be extending the days, so we have more opportunities for more designers.

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What celebrities and designers will be at year’s event? Visit KIA STYLE360 at Style360NYFW.com.

Follow @nyfwstyle360
Twitter | Instagram
With love,

FWO

Where Are People Talking Most This Fashion Week?

0

Where’s the buzz greatest around fashion week? (And which fashion weeks are most popular where?)

Find out, with this handy-dandy 7-day hashtag map, updating in real time!

Just point at different parts of the world to see where — and what — the buzz is!

 

(Powered by Wayin.)

Shopping: DVF Secret Agent and Karlie Kloss Forever

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What could be better than good-vibe, fashion week stars like DVF and Karlie Kloss?

Answer: Both of them together, in one playful project. Enjoy this new shopping collection, featuring items from the new “DVF: Secret Agent” collection, plus some jeans from the “Karlie Kloss Forever” collection from Frame Denim.

With love,

FWO